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HIGHLIGHTS FROM RBMA NYC

I recently had the honor of working with m ss ng p eces and Red Bull Music Academy to document the intimate, closed talks that took place as part of RBMA 2013 in New York City.

In a room that held only sixty people, RBMA's journalist and musician interviewers conducted informal talks with some 50 luminaries from all aspects of music production, arrangement, and performance, including Phillip Glass, James Murphy, Lee 'Scratch' Perry, Nigel Godrich, Brian Eno, Debbie Harry, Giorgio Moroder, Q-Tip, El-P, and Rakim. 

Followup questions after each talk came from not only the RBMA participants but the RBMA studio assistants and staff, including cats the likes of Flying Lotus, Four Tet, Just Blaze, Thundercat, Throwing Snow, Distal, Flako, Koreless, Dorian Concept, Osborne, and Matthew Johnson. 

As technical director on the project, I saw every second of every session from three angles. While directing camera coverage and editing on the fly and just generally scrutinizing every beat of every interview, I developed an intimate relationship with the material, and formed some strong opinions about what made for an ace talk.

Below are my top five from the 2013 academy. All are worth watching, but these stood out to me, each for their own reasons. Take some time to check them out and enjoy the fireworks in your brainpan.


#5: Giorgio Moroder

Genteel and charming, Giorgio comes across as a man who has made few mistakes and has no regrets. He even says as much in this talk with RBMA founder Torsten Schmidt. Watch if you are a fan of synths, moustaches, Scarface, or Donna Summer.

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#4: Bok Bok

Night Slugs label boss Bok Bok is very deliberately creating something new in UK club music. Through a cultural osmosis he explains to be largely unplanned, he and his labelmates have found a sympathetic aesthetic in what amounts to an uncanny and stripped-down industrial sound made for big systems.

Despite being young and of an even younger scene, Bok Bok's thoughts on music and the live music experience closely echo those voiced by many of the more seasoned and legendary producers in this lecture series. 

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#3: Brian Eno

Eno, while arguably among the most famous of the guests on the couch this year, nonetheless demonstrates a self-effacing generosity and enviable present-ness in an easy conversation that spans his entire career to date, including his beginnings in music, his visual work, and his collaborations with others like Bowie, James Blake, and Roxy Music.

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#2: Stephen O'Malley

In what amounted to the sleeper hit of the series, Stephen O'Malley's talk opens with playing the entire 19-minute side of his previously-unheard drone metal collaboration with Mika Vainio, and from that place of 'patience and deep listening', may change your perceptions of drone music and metal all at once, as it did for me. Stephen's thoughts on the way time and space shape our perceptions of music are well-formed and thoughtful, giving this talk with RBMA's Todd L. Burns a decidedly academic feel. Strongly recommended viewing for open-minded listeners. 

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#1: Van Dyke Parks

I exaggerate not at all when I say this exchange between BBC 1's Benji B and arranger, composer, multi-instrumentalist, and lyricist Van Dyke Parks cracked my brain open and left me feeling intellectually reborn. Parks is best known for his solo work and his collaborations with the Beach Boys - where he arranged and wrote lyrics for their album Smile - but it's command of spoken language and his approach to the world at large, not in the least music, that merits watching and re-watching and re-watching this intensely fascinating conversation. Nothing short of amazing.

Bonus: Egyptian Lover

LA electro pioneer, lothario, and all-around fun guy Egyptian Lover is flat-out hilarious in this one-sided stand-up hour of an interview, in which much of his time is spent trying to get moderator Andrew ‘Noz’ Nosnitsky to blush.

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If you like those and you're done re-watching the Van Dyke Parks talk for the tenth time, there are many more at the RBMA site, and not just from the 2013 NYC academy ...  

although those are the best due in no small part to my crack TD work, moderators Todd L. Burns, Emma Warren, Benji B, Jeff 'Chairman' Mao, Andrew ‘Noz’ Nosnitsky, Davide Bortot, and Torsten Schmidt, as well as Adam McClelland's post team, Owen Katz's production, Willy Friedman's production management, Nico Marti's stage management, and the ace camera stylings of Will Calcutt, Minka Farthing-Kohl, Ben Nicholas, and Brian Lannin.

ENJOY

All images via Red Bull Music Academy

 

tags: jobs, technical direction, cameras, rbma, tv, video, content, music
Wednesday 06.12.13
Posted by CHIEF
 

NIKE UGOKIDASE STATION

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Greetings from Harajuku, Tokyo --- I'm out here working with my favorite crews HUSH and Red Paper Heart building and running their very awesome Nike+ Treadmill Game at Nike's Ugokidase Station pop-up.

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The game is two specialized curved and user-powered treadmills connected to a Cinder-based app that pits two runners against one another in a 30-second dash. Game readout and Kinect-driven visualization are shown on a huge, curved LED wall in front of the players while high scores are charted on another massive LED display alongside.

This thing is fun and intense! Props to Hush and RPH on what is an immediate, competitive, and pitch-perfect execution. Props also to Nike Japan, Non-Grid, and Rhizomatiks for support, vision, and the other dope installations here at the event.

Sunday 07.29.12
Posted by CHIEF
 

GLS

The pilot episode of Gnome Land Security is up!! NSFW!!

I'm the voice of two of the gnomes (Kevin and Creeps), I'm credited as a writer (when really all I did was punchup) and I provided some help with sound design and the final mix and master.

All praise is due, to the creators - Ben Nabors at Group Theory, who took a risky approach to producing a risky product and deserve respect just for the sheer balls of the undertaking, and the art direction of Mark and Dave at Dark Igloo, who crushed their first major animation project.

VICTORY SMOOTHIE

Thursday 12.15.11
Posted by CHIEF
 

CERTIFIED

I am now an ISF Level II certified video calibrator. Deal with it.

Friday 07.15.11
Posted by CHIEF
 

SURREAL

I think I wrote earlier about how savagely I was misquoted in Jose Antonio Vargas' Washington Post piece about the 'Baracklash' implied by the nonsensical irony of sites like Matt Honan's Barack Obama Is Your New Bicycle and my own SenatorObamas but this site I stumbled across made me do a 180 in my stance on that particular TOTALLY FABRICATED attribution:

"... all things to all men." [http://obamamessiah.blogspot.com/]


Tuesday 01.25.11
Posted by CHIEF
 

DANCE AUSTRIA

Good times this Saturday in the Lincoln Center plaza, where I tech directed the Dance Austria performance and mass waltz event for Industria Creative [née Event LAB]. 

Awaiting permissions to repost some photos here but in the meanwhile check out these compelling shots from the Austrians themselves. Good times!

Photo Credit: Ajit Singh

Tuesday 10.19.10
Posted by CHIEF
 

ONE BRYANT PARK / BANK of AMERICA TOWER OPENING

Yesterday I got the opportunity to serve as lighting designer on the One Bryant Park / Bank of America Tower opening ceremony and LEED Platinum award ceremony.

So my homies Al Gore and Mayor Bloomberg stopped by to make sure everything was square, plus some other wealthy types, like building co-owner Jody Durst and BoA CMO Anne Finucane. Basically it was like the beginning of a Batman movie.

I had to take extra care to make sure the focus worked for a giant, because everybody warned me that Gore is a giant, and they were right — he is a giant.

It got seriously Gory at one point.

It got seriously Gory at one point.

Bloomberg acting mayoral.

Bloomberg acting mayoral.

Oh and to the designer I was talking with who didn't know his rocks — it is Jerusalem marble, and it does indeed get pink at sundown.

Friday 05.21.10
Posted by CHIEF
 

WEARABLES: PERFORMANCE MODELS A + B

I met with the good Paul Pope the other day, in a rain squall, for rye and red wine. I drink rye. 

Amidst our conversation, I was reminded of some wearable soundsystems I prototyped during my Providence days.

I envisioned car stereo systems in jacket and vest enclosures - ungrounded (and admittedly dangerous) ghetto blasters strapped to the chest and back of their users. I wanted to launch a mobile bass awareness campaign, and moreover, I wanted to have a sound source on my person for my electronic music performances as handshake.

The first, Performance Model A, was well-loved and well-used. It was 1050 denier ballistics ripstop nylon around a core of heavy mylar and neoprene. It had a tactical vest form factor with a military aesthetic. 

My initial sketch for Performance Model A

My initial sketch for Performance Model A

A look from design partner Corey Jackson

A look from design partner Corey Jackson

On the shoulders, forward-facing, were cold-riveted two 3.5" speaker/tweeter combo drivers. It was driven by a car amplifier mounted on the chest and powered by two 12V, 5Ah sealed lead-acid batteries. 

The result, after some sun damage and a few years kicking around closets.

The result, after some sun damage and a few years kicking around closets.

The next step was to incorporate a subwoofer. But, as any 50Hz head will tell you, a sub alone does not bass make. You need an enclosure.


Departing from the tactical vest aesthetic, we decided on a combined 'backpack/vest' form factor - Performance Model B, was to be a vest, similar to Model A, but with a fiberglass sub enclosure housing an 8" subwoofer, a more powerful amplifier, and an active crossover unit to handle signal for a 5.25" chest-mounted, fiberglass-enclosed driver and two shoulder-mounted, high-firing 1" tweeters.

The sub enclosure's sub port (left) and back surface, crossover section deepest and amplifier section on top.

The sub enclosure's sub port (left) and back surface, crossover section deepest and amplifier section on top.

In the interest of weight conservation, we took the more-than-sufficient battery capacity down from 10Ah total to combined 7.4Ah over two units. Outside of that, the unit was over-engineered by design. All components were solder-welded and heatshrunk over 12awg twisted-pair wiring. 

Overbuilt connections.

Overbuilt connections.

The batteries were run across a quick-disconnect harness for easier use and the sub enclosure had a kill switch embedded. It was, in a word, nice.

First coat on the enclosure exterior.

First coat on the enclosure exterior.

Sadly, though, we never finished Model B, although I've been itching to try. I still have the enclosure and electronics ready to go, but I seem to have lost track of Mr. Jackson and his luddite tendencies make him a hard man to find.

If you have an industrial sewing machine and a taste for bass, drop me a line. Maybe we'll make something of this without getting electrocuted.

tags: wearables
Thursday 10.15.09
Posted by CHIEF
 

AM BUSINESS CARD LOVE

There's been quite a bit of deserved love for the brilliant design of these AM business cards done by Nick Feldman of Groundwave Design Corp.
 

Monday 09.21.09
Posted by CHIEF
 

YAMA PITFIGHTING CAGE ASSEMBLY

Last June I took a jaunt out to Lititz, PA to check out an MMA cage in the care of Atomic Lighting. They had just done the premier event for Yamma Pit Fighting and they wanted to see if they could re-engineer the superstructure to make the whole thing more roadable.

Halfway into the first day of bending this thing into shape and I saw why the design needed revisiting. By that point I felt like I had been in a pit fight myself. Working with Jeff over at Atomic (and Brad and a forklift), we finally got it done by the end of the day with just enough time for me to chase down and submit Jeff in the ring.

Friday 09.18.09
Posted by CHIEF
 
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